"Who's there?" cried Rachel. In olden days it boasted a chapel, dedicated to Saint Thomas; beneath which there was a crypt curiously constructed amid the arches, where "was sepultured Peter the Chaplain of Colechurch, who began the Stone Bridge at London:" and it still boasted an edifice (though now in rather a tumbledown condition) which had once vied with a palace,—we mean Nonesuch House. The evening was warm and inviting, one meant to be spent outdoors. I took the money myself, and ought to know. But the besetting evil of the place, and that which drew down the severest censures of the writers above-mentioned, was that this spot,—which of all others should have been most free from such intrusion—was made a public exhibition.
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