Ann Veronica watched her face, vaguely sympathizing with her, vaguely disliking her physical insufficiency and her convulsive movements, and the fine eyebrows were knit with a faint perplexity. I’m not to study, I’m not to grow. ‘You wound me to the heart, Melusine. All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her.
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