A pity you did not think to tell me that part of the tale at the outset. " "But you can imagine it. ” “You have not told me yet,” Annabel said, “how it is that you have dared to personate me. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. For four hours he had shifted his own troubles to the shoulders of these imaginative characters. ' That has always haunted me. I’m going to that stupid party at the Vorsack’s to get to the bottom of it. ” “Nice clean hardness, anyhow. “One can’t tell. I’m six hundred and forty-eight years old, John! I should have never seduced a young boy, let alone expected him to keep my secrets for me. ‘Speak, then.
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