It was Ramage, the occupant of the big house at the end of the Avenue. And not only so, but that it was after all, a more systematic and particular method of examining just the same questions that underlay the discussions of the Fabian Society, the talk of the West Central Arts Club, the chatter of the studios and the deep, the bottomless discussions of the simple-life homes. A bobbing lantern, crossing the bridge—for she had not drawn the curtain—attracted her attention.
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