She saw the moonlit waters, the black shadow of the proa, the moon-fire that ran down the far edge of the bellying sail, the silent natives: no sound except the slapping of the outrigger and the low sibilant murmur of water falling away from the sides—and the beating of her heart. The candles—for McClintock never used oil in his dining room—were burning low in the sconces. The ripple of the water against the boat, as its keel cleaves through the stream—the darkling current hurrying by—the indistinctly-seen craft, of all forms and all sizes, hovering around, and making their way in ghostlike silence, or warning each other of their approach by cries, that, heard from afar, have something doleful in their note—the solemn shadows cast by the bridges—the deeper gloom of the echoing arches—the lights glimmering from the banks—the red reflection thrown upon the waves by a fire kindled on some stationary barge—the tall and fantastic shapes of the houses, as discerned through the obscurity;—these, and other sights and sounds of the same character, give a sombre colour to the thoughts of one who may choose to indulge in meditation at such a time and in such a place.
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