The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. Why was she noting things like this? Capes seemed selfpossessed and elaborately genial and commonplace, but she knew him to be nervous by a little occasional clumsiness, by the faintest shadow of vulgarity in the urgency of his hospitality. He glanced downwards at the impetuous torrent, which he could perceive shooting past him with lightning swiftness in the gloom. Was he, too, on the way to the beach? What a pity! All alone, and none to warn him of the abject wretchedness at the end of Drink.
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