ILLUSTRATED WITH SCENES FROM THE PHOTOPLAY PRODUCED BY DISTINCTIVE PICTURES CORPORATION NEW YORK GROSSET & DUNLAP PUBLISHERS THE RAGGED EDGE CHAPTER I The Master is inordinately fond of young fools. Without inquiring into the correctness of the latter part of the story, it may be sufficient to state, that Black Mary was a person in whom Jack Sheppard thought he could confide, and, as Edgeworth Bess was incapable of much further exertion, he determined to leave her in the old woman's care till the following night, while he shifted for himself and fulfilled his design—for, however rash or hazardous a project might be, if once conceived, Jack always executed it,—of visiting Jonathan Wild at his house in the Old Bailey. As it is not, however, our intention to furnish a complete catalogue of these curiosities, we shall merely mention that in front of them lay a large and sharp knife, once the property of the public executioner, and used by him to dissever the limbs of those condemned to death for high-treason; together with an immense two-pronged flesh-fork, likewise employed by the same terrible functionary to plunge the quarters of his victims in the caldrons of boiling tar and oil. It was so difficult to put precisely. " "Look at it, then," said Wild, giving him the portfolio. " "It is," replied Jack. “Very well,” he said, “I will go. Three times he uttered a phrase: "A djinn in a blue-serge coat!" And each time he would follow it with a chuckle—the chuckle of a soul in damnation. ’ Lucilla gaped.
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