Except for the dull eyes and the extreme pallor of his face, there was nothing else to indicate that he was deep in liquor. Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism. She further suspected that he might find a servant to dally with in the meantime, if he had not already. Certain reserves went down on both sides.
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