Goopes had a great set-to about the sincerity of Chesterton and Belloc that was ended by Goopes showing signs of resuming the Socratic method. Then as she drew nearer paint showed upon her face, and a harsh purpose behind the quiet expression of her open countenance, and a sort of unreality in her splendor betrayed itself for which Ann Veronica could not recall the right word—a word, half understood, that lurked and hid in her mind, the word “meretricious. I don’t know if I express myself clearly. ‘You are too shrewd for me, ma’am.
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