The ordinary research paper, when it is not extravagant theorizing, is apt to be rather sawdusty in texture, and Ann Veronica was delighted to find the same easy and confident luminosity that distinguished his work for the general reader. Anna, who was disposed to be sharply critical, could find no fault with it. All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her.
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