All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. The sun was setting, casting long dreary shadows across deformed apple trees. And here, we may be permitted to offer an observation upon the peculiar and unaccountable influence which ladies of a shrewish turn so frequently exercise over—we can scarcely, in this case, say—their lords and masters; an influence which seems not merely to extend to the will of the husband, but even to his inclinations.
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