Carefully abstaining from thrusting against each other, Ann Veronica and her father began an absurdly desperate struggle, the one to open the door, the other to keep it fastened. The car ride to the new movie theater, a multiplex, was brief and harrowing. “Then why the devil,” he demanded, “do you let me stand you dinners and the opera—and why do you come to a cabinet particuliar with me?” He became radiant with anger. He was struck disagreeably by Ramage’s air of gallant consideration and Ann Veronica’s self-possessed answers.
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