On one side of the handbill a print of the reigning sovereign, Anne, had been pinned over the portrait of William the Third, whose aquiline nose, keen eyes, and luxuriant wig, were just visible above the diadem of the queen. And the jailers also retired. Then suddenly with a rush came reality, came “growing up”; a hasty imperative appeal for seriousness, for supreme seriousness. She was taken dreadfully ill on the road, with spasms and short breath, and swoonings,—worse than ever she was before.
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