Ascending the stairs, and conducting them along a sombre gallery, in which Trenchard noticed that every door was painted black, and numbered, he stopped at the entrance of a chamber; and, selecting a key from the bunch at his girdle, unlocked it. There was something about their greeting and the tone of Annabel’s exclamation which puzzled her. In this hour its colossal selfishness never occurred to him. “I cannot pretend that I am glad to see you, Lady Ferringhall,” he said quietly. It was painted in the early seventeenth century by a minor artist named DuPre. The doctor's smile is singular; there is no other smile that reaches the same level.
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