"A miserly old woman. Where her husband saw only two youngsters in the mating mood, she felt that tragedy in some phase lurked in this room—if only in the loneliness of these two, without kith or kin apparently, thousands of miles from home. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. Restraining with an effort his intense curiosity, he talked of general subjects only, trying his best to entertain her.
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