Spurlock had sensed what had gone completely over McClintock's head—that this was the playing of a soul in damnation. Taken altogether, his physiognomy resembled one of those vagabond heads which Murillo delighted to paint, and for which Guzman d'Alfarache, Lazarillo de Tormes, or Estevanillo Gonzalez might have sat:—faces that almost make one in love with roguery, they seem so full of vivacity and enjoyment. Sydney was strumming over a new song which stood upon the piano.
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